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Rosewood (1997)

Rosewood (1997)

GENRESAction,Drama,History
LANGEnglish
ACTOR
Jon VoightVing RhamesDon CheadleBruce McGill
DIRECTOR
John Singleton

SYNOPSICS

Rosewood (1997) is a English movie. John Singleton has directed this movie. Jon Voight,Ving Rhames,Don Cheadle,Bruce McGill are the starring of this movie. It was released in 1997. Rosewood (1997) is considered one of the best Action,Drama,History movie in India and around the world.

Ving Rhames stars as Mann, a drifter caught in Rosewood, a town filled with racial prejudice. He ends up aiding the surviving African-Americans escape the town, with the help of a humble store owner played by Jon Voight.

Rosewood (1997) Reviews

  • An accurate portrayal of north Florida racism as seen from a native Floridian.

    tal-492007-05-29

    I am white and grew up in the county where this really happened. I remember as a child driving by the place where this community was. There was a small sign that was put up by the Florida DOT that said "Rosewood" but there was nothing there. I asked my mother why and she was unsure what to tell me. Then when this movie came out I realized what had happened. I began asking the elderly people I knew, but they did not want to talk about this except for my ex-husband's step dad. He remembered being a boy and the mob trying to get his father to join them. He refused to participate and was threatened for the future of his family. I am also ashamed to say that race relations have still not gotten a lot better here. In 1969 when I was in kindergarten, I remember being sent home due to race riots in the high school. I now live in California, and I know some people found the movie distressing. Unfortunately the south has a subculture of violence even to this day. The actors did an excellent job on this film. I am so glad that the filmmakers had the courage to take this story on. People tend to think of Florida as an integrated state because of Miami and Orlando, but central and northern Florida is still very racist. For example the African-Americans still call the whites by names such as "Mr. John" or "Miss Ellen". Then little town I grew up in ,Williston, still has the African-Americans living on one side of the railroad tracks and the whites on the other "better" side. There are some whites that are very decent people and some blacks that are of very poor character. I keep waiting and praying for the day when a person will "be judged not by the color of their skin but by the content of their character" in the words of the great Martin Luther King JR. PLEASE SEE THIS MOVIE!! If Americas can take the violence that is in video games and stupid horror movies they should be able to take the true portrayal of man's inhumanity to man in this most wonderful film!!

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  • Based on a true story

    Petey-102001-02-05

    It all started because of a lie.Rosewood is a quiet little town in Florida.One day a white woman lies that an Afro-American man raped her.That starts a war between the blacks and whites.Bunch of racists kill innocent black people. Ving Rhames plays Mann, a new comer in town who is hunted because he's black. Jon Voight plays John Wright, the only good white man in town who tries to safe the African-American community of the town.John Singleton's Rosewood from 1997 is amazing movie about the stupidity of people.This actually happened in 1923 which sounds unbelievable.How idiotic can people be?Some people still haven't learned.Here in Finland racism only seems to grow which makes me mad.Stop being idiots! There are some very touching moments in this movie.There are moments that may bring tears in your eyes.Acting work is brilliant in the movie.Jon Voight and Ving Rhames do very powerful role works.During Rosewood I had many feelings inside me.One of them was anger.I'm white and not always so proud of it.

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  • well-made but hard to watch

    Special-K882002-04-25

    Powerful drama is a gut-wrenching recreation of the destruction of a once prominent black town. In 1920s Florida, the town of Rosewood is built on an uneasy alliance between black and white citizens. When an influential white woman makes a false accusation that she was assaulted by a black assailant, angry white citizens form a brutal lynch mob determined to either find the culprit, or coerce other black citizens into revealing his whereabouts. The film's harsh subject matter is so vividly realized by director Singleton, and acted with such great conviction by its cast that the film is deeply unsettling and at times unbearable to watch. If you can get past that, which is no easy task, you can appreciate what a sharp, well-crafted historical drama that this really is. ***

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  • A long and brutal picture

    StevePulaski2012-08-09

    John Singleton's Rosewood documents the tragedy of the Rosewood Massacre in piercingly raw detail, showing us how a prosperous Florida town fell to shambles from one woman's lie, spawning over a hundred murders and massive calamity on the survivor's shoulders for years to come. This event occurred in 1923, but is usually left unprinted in history textbooks and shoved to the side as if it had never occurred. Just a few weeks ago, a gunman opened fire on patrons in a movie theater, killing twelve and wounding fifty eight. That story was the most talked about thing for the entire week and still sneaks its way into the top story. Rosewood isn't written with anger, hostility, or a burdening grudge. It is written with its mind firmly centered on history and examination rather than shameful exploitation. The town of Rosewood was populated mainly by blacks who are also operating most of it, with the notable exception of the white grocery store owner, Mr. Wright (Jon Voight). About 1/3 of the town is white, and most have a great disdain for the blacks, which as we know by now wasn't atypical. The film centers mainly on Mann (Ving Rhames), a World War I veteran who travels aimlessly on a horse in search of land that he is willing to pay good money for. When he shows up at a town auction and becomes one of the highest bidders, he does nothing but generate sneers and racist remarks from the patrons. Mann is, for the most part, impassive towards the criticism. One of his friends that he grows closer to over time is Don Cheadle's Sylvester, who happens to be one of the strongest character actors of this or any other decade. The hostility towards blacks skyrockets when the mentally unstable woman, Fanny Taylor (Catherine Kellner) is triggered into a screaming frenzy repeatedly saying a black man beat her, but did not rape her. The reality is, Fanny is a victim to the abuse of her lover, who consistently throws her around and leaves her bruised and battered. Regardless, there is simply no justification for this kind of impulsiveness. And thus, the bell begins to ring louder and for longer and the towers slowly begin to fall; the town becomes even more racially divided than before, violence breaks out in the streets, houses are burned, neighbors become enemies, and secrets holding important, valuable information are kept until it's too late. A white sheriff (Michael Rooker) has an understanding of the events that occurred with Fanny Taylor, begins to piece together that the story of the evil black man beating the white woman is a myth, but is unfortunately silent about the event until violence overwhelms the once humble town. Even Mann grows aware of the impending violence and unsafe nature of this town, and fears because of his "new" status that he will fall victim to murder. The film touches on some other topics not usually explored in a period piece, such as how the idea of racism is spread through explicit teachings from father to son. One father teaches his son how to make a noose, and continuously reminds him that the blacks are the enemies in which the whites must take action against. This even involves the father taking the son along on trips where they go hunting, and I don't mean for animals. Writer Gregory Poirier illustrates this story on a large, limitless canvas for John Singleton to direct with a looming challenge. There is an unusually broad amount of talent here and a plethora of characters and situations to document, and Poirier is careful never to spend too much time on one specific situation, but takes the time to balance the events out evenly. It wasn't long before this that Singleton constructed Boyz N The Hood, a film detailing the tribulations of growing up on the wrong side of the street. That appears on my list of most captivating dramas for its poignant dialog and incredible performances. Rosewood is in an entirely different league; a film that features many different scenes, all highly detailed and illustrated intricately, that is strung together by an easily understandable story. Speaking in terms of aesthetics, the costume and set design here is lavish and meticulous. From the sets of the stores, to the simplicity of the roads, the people, the clothing, and the shops, everything is portrayed in such a refreshingly different light that it becomes indescribably powerful. The care and attention here is not only commendable, but award worthy. Yet sadly, Rosewood, like the actual event, is a long forgotten wave in the ocean of cinema and the world. The film's hefty budget, for which I assumed was mainly used on costumes, set structures, and actors, proved unable to be recouped and went on to become a commercial failure, only seen by those brave enough to endure its tragedy with an open mind and a hungering for knowledge. This is not a movie that many will be able to digest easy. It's a long and brutal picture. But one that is masterfully done in almost every respect and one that should brew a healthy, informative conversation soon afterwards. Starring: Jon Voight, Ving Rhames, Don Cheadle, Bruce McGill, Loren Dean, Esther Rolle, Elise Neal, and Michael Rooker. Directed by: John Singleton.

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  • The first film that I had to put my head in my mom shoudlers

    DunnDeeDaGreat2001-11-04

    When I first saw Rosewood at age 15, I was upset and shocked. To think that people could do to one another is shocking. Their are scenes in this movie that are hard to watch but that's part of the deepness. the film deserved some Oscar nod but sadly it went unnoticed. A important film everyone should see.

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