SYNOPSICS
Ya lyublyu tebya (2004) is a Russian,English,Kalmyk-Oirat movie. Olga Stolpovskaja,Dmitriy Troitskiy has directed this movie. Damir Badmaev,Lyubov Tolkalina,Evgeniy Koryakovskiy,Nina Agapova are the starring of this movie. It was released in 2004. Ya lyublyu tebya (2004) is considered one of the best Comedy,Romance movie in India and around the world.
Vera and Tim are successful young professionals living fast-paced lives in ultra-modern Moscow. Their lives crackle with the capitalist energy of excess, anxiety, consumption, and stress- and they are in love. Everything changes one night when Tim accidentally drives his car into Uloomji, a young Kalmyk day worker. (The Kalmyks are a semi-nomadic people of Mongolian decent.) The two men begin a torrid affair that involves howling and knocking over a lot of furniture. Tim is attracted to Uloomji's exotic demeanor and liberated by his impulsiveness and lack of inhibition. To Uloomji, Tim embodies a kind of class and refinement he sees only in magazines. Vera struggles to comprehend their bond and her boyfriend's erratic behavior. She is dragged reluctantly into a bizarre love triangle. Before long, all three lives unravel, exemplified by a visit to a Buddhist healer, a three-way in the bathroom of a gay bar, a faked death and a kidnapping.
More
![You I Love 2004 (Russia & US) [83 min] Trailer](http://i4.ytimg.com/vi/F68SoGxNtBA/mqdefault.jpg "You I Love 2004 (Russia & US) [83 min] Trailer")
Ya lyublyu tebya (2004) Reviews
Premise not new. This presentation outstanding.
The premise of three people trying to figure out who loves whom, get past jealousy, open to the possibility of love not limited and find joy and fulfillment in sharing their love and making a good life together is not a new one. But in "You I Love" the familiar story is engaging, the humor fun. Even the anger parts and the resolution of those is believable. I never found myself thinking "Right. Spare me!" I never found myself wishing it had come out another way. I don't know the correct word for the way the camera flashed about in between-scenes clips, but it was done so well I enjoyed it, was never distracted by it. Titles were quite readable and in perfectly good English. They moved at a good pace for me. I have already recommended this film to many friends who I know will come out of it thanking me for telling them about it.
A Refreshing Peek Inside Post-Perestroika Moscow Social Life
YA LYUBLU TEBYA (You I Love) is a fast paced bonbon of a movie from Russia being hailed in some circles as the 'hottest gay film of the year'. Hot it is not: fun it is. The message from director/writers Olga Stolpovskaja and Dmitry Troitsky seems more a PR statement about how Westernized and modern in social behavior Russia has become since Perestroika than creating a significant gay film. Yet somehow the result is a rapid sequence entertainment that should appeal to a very wide audience. Timofei (Evgeny Koryakovsky) is a young, successful ad executive in Moscow, able to afford all of the luxuries of his Western counterparts. He is in a relationship with Vera (Lyubov Tolkalina) who is a popular TV personality. They have a fresh and vital lifestyle, emphasizing the manifestations of capitalism. Simultaneously we meet Uloomji (Damir Badmaev) who comes from the poorer provinces, the son of a strict and struggling worker family. Uloomji strikes out for Moscow to find a job and a life. He 'accidentally' encounters Timofei who feels sorry for the homeless youth and takes him to his apartment for care...and cavorting! The socially naive Uloomji and the sexually naive Timofei collide (the metaphor is readily apparent) and are discovered in embrace when Vera returns home. The remainder of the story is how the two men and one woman grow into a ménage a trois of sorts and how the friends and families of the three respond. While the story is really one of bisexuality it is played as a drawing room comedy (? TV sitcom Moscow style?) and while the film takes a lot of visual and technical chances - some of which work well, others spoil - the final result is a light entertainment that doesn't really push the edge purported by the trailers and the PR media glut. The three main actors are excellent and show promise of becoming stars in their own right. This is a fun film that asks the audience to just step on for the ride for an inside look at the now-open Moscow life! Grady Harp
Sex in (the city) Moscow
This film reminds us of "Sex and the City", but with the city being Russia's capital. Showing us a very stylized Moscow (as "SEX" does with New York), the movie spotlights the private lives of 3 main characters in a modern take of now "liberal" Russia. Two of them have glamorous lives and careers, affording us viewers locations (luxury apartments, offices, bars, and so on) to match; a global, thoroughly Westernized side of Moscow we rarely see on film. The third character is from the Asian part of Russia, throwing in some gritty reminders about how others, especially racial minorities, live in Russia. This character's family, predictably, is more conservative and closed minded than the other more "European" characters. This character and his family also remind the audience of Russia's multi cultural nature. Minor characters inter related to the main three complete the mosaic of modern day Moscow the film paints. Each is a composite of stereotypes -a foreign multi national executive, two senators (the three living similar hedonistic lifestyles), young people with aspiring consumer driven dreams; all but the "Asian Russians" quite capitalistic. While not revealing any particularly novelty, the film is interesting to Westerners as a glossy display of Moscow life, with the stereotypes we read about in the press, and hear about in World News, brought to life on screen. The basic plot however confirms (at least to me) that Moscow is not yet that up to date and permissive. The main relationship formed is a compromise with the conservative reality of Russian morals, and I think not very realistic in any society. One may infer from this film that progressive trendy Muscovites can accept bisexuality, but not real homosexuality. This film makes it clear that it's OK to be gay if you're really bisexual. At least, that's a start for this conservative society. But it is not what (I believe) most of the film's target audiences are expecting to see. In the end, the message the film sends is a cop out.
Very Russian!
This film, mostly shown outside Russia in gay film festivals, is not mainly a gay film, but rather a statement on diversity in Russia today. Having said that, it is also very stereotypically Russian in its length, cinematography, and in relying on subtleties to tell the truth. The exception to this is sex and nudity. These are not subtle, not very explicit either, but enough to say to the audience "look, how modern we are" while "hotter" issues (homosexuality, inequality between racial groups, economic and political crisis) are self censored. Still, this is a step forward in free expression for Russian cinema. They still have to masquerade homosexuality as bisexuality (though foreign executives, corrupt politicians, and young hustlers can be gay - this shows where Russian society, at its most liberal level, accepts sexual diversity). It's OK as long as the "normal people" in society aren't gay - bisexual at most. Likewise, the huge socio economic gap existing between "ethnic Russians" and the eastern, more Asian looking ones, is glossed over with cute prejudice and cultural clichés. We see a very stylized "Sex and the City" -like Moscow: one where, for the most part, people live in luxury apartments, drive expensive cars, and are sexually liberal, even between races and sexes, and threesomes. But hey, it's a movie. Enjoy!
A film about love rather than just a gay film.
I believe reviewer Paul should watch the director and producer's comments. Sure, a poorly filmed piece by Hollywood standards but this is in Russia and it is groundbreaking for them. It's not just a film about homosexuals but rather love and everyone's right to seek it, find it and have it the way they want as long as it doesn't hurt anyone else. Uloomji has a chance meeting with Tim and you know that something unsaid has transpired between them. Along comes Vera to stir up the pot and the charisma of Uloomji affects her too. Three different people who manage to be oblivious to what others may think as they begin to work out their differences. Adding the other family conflicts added to the humor and suspense of how it will end and where the title comes from. I liked the film. It made me work some to watch subtitles and hear the Russian but the message came across.