Two Rode Together (1961) Reviews

• Rather good John Ford Western

  zetes2002-02-04

  It's no classic, but it is quite a good film. Jimmy Stewart plays a gruff, old, drunken sheriff who can speak Comanche and Richard Widmark plays a cavalryman assigned to accompany him on a mission to buy white captives away from the Comanches. The first half of the film can be called Searchers-lite. They buy back two captives, a young white man stolen in his youth and a Mexican woman stolen five years earlier. Other non-Comanches they find are unsalvageable. Now, The Searchers ends ambiguously. We're not sure what is going to happen with Natalie Wood's character. Two Rode Together goes into that part of the story a bit more. Stewart falls in love with the Mexican girl, but she cannot take the way other white people treat her. The boy is so far gone that he is entirely violent to everyone around him. The second half of the film is actually quite great, and the film has an extremely powerful climax. Jimmy Stewart is beyond excellent in the film. Could you ever imagine a bad performance from this man? It's rare that he plays such a cheating b**tard, but he's no villain, either. The actress who plays the Mexican girl is very good, too. The rest of the cast is more than adequate. There's a funny scene where Ford regulars Andy Devine and Ken Curtis fight in a slapstick fashion. Ford's direction is rather flat. The story goes that he did this only as a favor, not by any real choice. Frank Nugent's script is quite good, especially in the second half. The score is excellent. The photography is weak, but good sets and costumes make the visual aspect of the film decent if not great. 8/10.

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• Just how much do you think human lives are worth, McCabe?

  Spikeopath2012-04-15

  Two Rode Together is directed by John Ford and adapted to screenplay by Frank Nugent from the novel Comanche Captives written by Will Cook. It stars James Stewart, Richard Widmark, Shirley Jones, Linda Cristal and Andy Devine. Music is scored by George Duning and Eastman Color cinematography is by Charles Lawton Junior. The US Army is under pressure to negotiate the release of Comanche captives and send in a party to ransom for their release. Heading the party are cynical hard drinking Marshal Guthrie McCabe (Stewart) and his pal First Lt. Jim Gary (Widmark). The two men are at odds in how to go about dealing with the problem to hand, but bigger issues are just around the corner..... The Searchers lite it is for sure, Two Rode Together is a mixed bag that hasn't been helped by the quotes attributed by its director. It's well documented that John Ford only did the film out of kindness and a love of money, the great man going on record to say he hated the film, the source and etc. The shoot was far from being a happy one, with the director pitching his two stars against each other whilst grumpily putting his film crew through the mangler. The end result shows the film to be psychitzophrenic in tone and structure, where airy comedy tries to sit alongside some serious themes and fails miserably. When the moral implications of the picture are to be born out, Ford, in his half-hearted approach to the production, comes off as being either clueless, sarcastically mean or going through the motions since he had already made this film as The Searchers. Well clueless is not something you can comfortably say in relation to this particular director.... However, film has strengths, not least with Stewart's over the top portrayal of McCabe. The actor is really giving it the full treatment, no doubt prompted by his director, this is a shallow man, motivated by ale and cash. This is non heroic stuff, he calls it as he sees it, he thinks nothing off telling the longing relatives of the missing that their loved ones are now alien to them. It's a clinical thread in the piece, deftly setting the film up for its telling last quarter as the moral questions are raised and the bitter irony leaves its sour taste. It's a mixed bag indeed, but hardly a disaster, though, and in spite of Ford's irreverence towards it, there's a worthy viewpoint in amongst all the causticism. It's just a shame that all the great individual aspects don't make a complete and rewarding whole, the blend of comedy and drama, this time, not making for a great John Ford picture. 6.5/10

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• Stewart and Widmark ride together

  bkoganbing2005-02-16

  I saw this film first in 1961 at the Riviera Theatre in Rochester, New York with my cousins and I loved it. I found out later that John Ford in his cantankerous dotage dismissed all of the work he did after Wings of Eagles as junk. Well second rate John Ford is far better than first rate from 90% of directors. The film hasn't lost any charm for me even after 44 years. Army Lieutenant Richard Widmark takes a patrol into Tascosa to fetch Marshal James Stewart back to the fort where Commandant John McIntire has an assignment for Stewart. It's to negotiate with Comanche Chief Quannah Parker for the return of white captives taken during the Indian wars. The rest of the film is what happens to both our leads during that mission and after. To watch the chemistry between Stewart and Widmark is something to behold. There is a scene at the beginning of the film during the ride back to the fort where Stewart and Widmark sit on the bank of a stream while the horses are being watered. Ford has them engage in some bantering dialog where the characters are established. In the hands of these two consummate professional actors, the scene almost takes on a sublime quality. It's my favorite scene in the film. As usual Ford rounds out his cast with a lot of his stock company. I have to single out Willis Bouchey. He plays Henry J. Wringle in this film who is along on this trip very reluctantly. He has the second best scene in the film with Stewart as he makes Stewart an offer that he'll pay him a thousand dollars to bring back any white captive around the age of his wife's son by her first husband. This is so he can get back to his business. Stewart's reactions to this offer are also something to behold. Willis Bouchey did so well in so many of Ford's later films, but here and in The Horse Soldiers I think his career peaked. Second rate Ford is still good enough for me.

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• Marvelously shot Ford film with a lively look at the complex reintegration of captives

  ma-cortes2011-06-16

  Desperate relatives spend years searching for their loved beings abducted by Indians in this lengthy Western . The US Army is under pressure from the families of white captives of the Comanches . A Texas marshal, Guthrie McCabe (James Stewart), is persuaded by an army lieutenant (Richard Widmark) and a Major (John McIntire) to negotiate with the Comanches to secure their rescue and for the return of captives . But the expedition results to be a flop. However, just two prisoners are released ; their reintegration into community proves to be highly difficult , and complications , problems ensue . This nice Western contains interesting characters , full of wide open space and dramatic moments . Outdoors are pretty good and well photographed by Charles Lawton Jr , story first-rate and powerful told too. Good Western with James Stewart sort playing himself as corrupt and cynical marshal who takes a percentage on his works . Entertaining film thanks to James Stewart for his cynical character and ironic point of sight . Also Widmark is excellent , while a great featured-role acting by veteran John McIntire . Solid support cast leads some eye-catching performances which include Andy Devine ,Jeanette Nolan ,John Qualen, Ken Curtis , Woody Strode, Henry Brandon as Quanah Parker and many others . ¨Two rode together¨ has a similar plot to ¨The searchers¨ though the Ford's vision about West is pretty cynical and less idealist. This classic picture ranks as one of the main of John Ford's works . It contains Ford's usual themes as familiar feeling , a little bit enjoyable humor, friendship and sense of comradeship but also lots of cynicism . Thought-provoking screenplay portraying in depth characters and brooding events with interesting issues running beneath script surface is written by Frank S. Nugent based on a novel by Will Cook , titled ¨Comanche captives . This may not be Ford or Stewart's best Western , as many would claim , but it's still head ad shoulders above most big-scale movies . You'll find the final terrible or over-melodramatic according to your tastes , though it's lovingly composed by John Ford who really picks up the drama towards the ending . Rating : Better than average .

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• Leisurely John Ford Western doesn't have much action, but the pleasant story makes up for it.

  Slim-41999-12-05

  This is not your typical John Ford Western. The usual cast of Ford characters is on hand. Henry Brandon reprises his role as the Comanche chief Scar, which he played so well in the "Searchers". This time he plays a more sympathetic role as the real life Comanche chief Quanah Parker. The evil Clegg clan from "Wagonmaster" is also on hand. They are not quite as evil this time around. The Comanches are played by the usual Navajos recruited for countless Ford Westerns. The awesome arid scenery of Monument Valley has been appropriately replaced by rolling grass covered plains country. The two protagonists in the film are played by James Stewart and Richard Widmark. Stewart plays a gunfighter serving as sheriff of the Texas town of Tascosa. Widmark is the cavalry officer who summons him to Fort Grant to rescue Comanche captives. They ride together on this mission, which is relegated to a small part in the plot. Although they are friends, their partnership is uneasy from the start. Stewart is going on the mission for money. Widmark is ordered by the colonel (played by John McIntyre) to go. The tension between the two leads at one point to Stewart drawing, but not firing, his gun. This film contains elements of "The Searchers". Like the other film the theme is captivity by the Indians. Just as in "The Searchers" captivity is viewed as degrading. Linda Cristal plays the captive in this film. "I am not worth fighting for", she says. Ford goes one step further here. Captivity by the Indians is depicted as extremely arduous. The protagonists find few living captives to rescue. The captives they do find are shown as prematurely old and savage. Cristal is an exception. Although she has been a wife to the Comanche chief Stone Calf for five years, she retains something of her aristocratic Mexican upbringing. Perhaps her strong Catholic faith enabled her to avoid the complete degradation typical of captives. Like Debbie in "The Searchers", she has the prospect for redemption. In "The Searchers" it is the strength of the family which provides redemption. Here it is a stagecoach to a new life in California. The pace in this film differs from many Ford films. There is only one action scene. Much of the film is spent in quiet moments. In the opening scene McCabe (Stewart) is relaxing on the porch of the saloon. It is obvious that he has his law enforcement duties well in hand. In another scene he and Lieutenant Gary (Widmark) are resting on the banks of a river. There is also a significant interlude as the wagon train camps at Oak Creek. There is also a dance at the fort. At the end of the film McCabe returns to Tascosa to find someone else relaxing in his place. McCabe is an interesting character. His ethics are questionable. He owns 10% of everything in Tascosa, he says. He'll do almost anything for money. He makes it clear to the colonel that he figures that each captive he brings back is worth $500. He then makes a deal with Henry J. Wringle (played by Willis Bouchey) to bring back a boy, any boy, for $1000. Wringle wants to get on with his business and can't afford to waste more time looking for his wife's son. McCabe is more than happy to oblige him, bringing back a boy whose savagery is unquestioned. In the end there is redemption for both Stewart and Cristal. Both of their characters are interesting and well acted. It is a pity that so many other characters in this movie are wasted. Woody Strode's part as Stone Calf is particularly disappointing. The script gives him very little to say and do. He is around only long enough to go against Stewart in the film's only action sequence. Andy Devine provides much of the film's humor, but is not really credible as what McCabe calls "that hippopotamus of a sergeant". I wish the film had spent more time focusing on Stewart and Widmark's mission to the Comanche camp as the film's title suggests. Unfortunately, it's only a footnote. Despite the flaws, the leisurely pace and Stewart's portrayal of the amoral McCabe make this film a treat.

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