Stockholm (2018) is a English,Swedish movie. Robert Budreau has directed this movie. Ethan Hawke,Noomi Rapace,Mark Strong,Christopher Heyerdahl are the starring of this movie. It was released in 2018. Stockholm (2018) is considered one of the best Biography,Comedy,Crime,Drama,History movie in India and around the world.
A semi-fictional account, including most of the names of the players being changed, of the event that resulted in the creation of the term Stockholm Syndrome to describe people who feel empathy and sometimes more for their captor(s) is presented. In 1973, a lone armed man, thought to be American, storms the downtown Stockholm branch of Kreditbanken. Ultimately the authorities, led by Chief of Police Mattsson learn of his at-gunpoint demand: $1 million US, the release of convicted bank robber and murderer Gunnar Sorensson, and a Mustang Boss 302 like the one Steve McQueen drove in Bullitt (1968) as a getaway vehicle for the two of them. By the time Mattsson gets Sorensson to the bank - unknown to the gunman, who is thought to be well known robber Kaj Hansson, Sorenson having made a plea deal with Mattsson for his cooperation against the gunman - there are three hostages at the bank, all the others that were in the bank at the time let go. Arguably the most lucid of the three is bank ...
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Stockholm can be described as a fun and comedic film, covering a dark subject matter in order to show its audience how human beings cope with stressful, life threatening situations. The film is based on the Swedish bank heist, and hostage situation, that would later inspire the coining of the phrase "Stockholm syndrome," which describes the phenomenon of a hostage forming a bond with their captor. Of the many things the film does well, what stands above the rest is the films ability to make the audience realize how someone might actually succumb to Stockholm syndrome. The main anti-hero of the story, Lars (Ethan Hawke), shows early on that all he really wants is to get his buddy, Gunnar (Mark Strong), out of jail. You the audience member even find yourself sympathizing with him as over the course of the film he goes out of his way to care for his hostages including letting one of them, Bianca (Noomi Rapace), use the telephone to call her family. The comedy in the film comes across quite well, at some points I found myself audibly laughing, and allows the audience to establish a better connection with Lars. Apart from the story, the 70's aesthetics were executed perfectly with a very pleasing color pallet focusing on shades of orange and teal, wonderful b-roll of a 70's Stockholm, and a few Bob Dylan songs thrown in for good measure. It was very enjoyable to watch and had my interest peaked right from the get-go.
Greetings again from the darkness. The film opens with a title card informing us that it is "based on an absurd but true story". In 1973 the Kreditbanken of Stockholm Sweden was held up by an armed man. The ordeal was unusual for low-crime Sweden and it was broadcast live on TV. It has also been credited as being the origin for the term "Stockholm Syndrome" - a term to describe the bonding that sometimes occurs between a hostage and their captor. Writer-director Robert Budreau wisely wastes little time with setting the stage. Lars (Ethan Hawke) dons a disguise meant to trick the police, and storms the bank lobby armed with a sub-machine gun. Wearing a cowboy hat and a leather jacket with a Texas flag, he proclaims "Remember the Alamo" as he secures some hostages and presents himself as Kaj Hansson, a well-known criminal. Of course, Mr. Hawke is certainly an American, and the actual robbery/hostage event was conducted by a Swede. Lars is loud and boisterous to the cops, while simultaneously being sympathetic and understanding to the hostages - especially Bianca (Noomi Rapace), a married woman with two kids. Christopher Heyerdahl plays Police Chief Mattison, and he employs some unexpected psychological gamesmanship with Lars that gets even more convoluted when Swedish Prime Minister Olaf Palme becomes involved. Lars' real goal here is to spring his buddy Gunnar Sorensson (Mark Strong) from jail and have them both ride off to freedom in a mustang like the one Steve McQueen drove in BULLITT. Yes, I should mention that although guns are fired and hostages are held, this is really an offbeat comedic bank heist. It focuses on how the hostages bond with their captors and how Bianca quickly realizes that not only is she smarter than Lars and Gunnar, but that the cops are more of a threat to her than the criminals. She strategizes better than either side, and Ms. Rapace (from the original Millennium Trilogy) is the standout performer in the film. Filmmaker Budreau and Mr. Hawke previously collaborated on an intimate look at jazz trumpeter Chet Baker in BORN TO BE BLUE (2015), and they prove again that they work well together. The other two hostages are played by Bea Santos as Clara and Mark Rendall as Elov. When Prime Minister Palme refuses to negotiate or allow Lars to leave with hostages, we can sense the emotional tide turn as Clara, Elov and Bianca realize they are safest remaining with the hostages. Of course there are some liberties with history taken for cinematic reasons, and since most of the filming takes place within the confines of the bank, we do get to know each of the participants pretty well. The similarities to Sidney Lumet's DOG DAY AFTERNOON (1975) are unmistakable, and one of the reporters covering the story even comments that it's "almost like watching an American movie." The odd ending works for the film, and thanks to Ms. Rapace, there is enough heft to the characters to prevent the humor for taking over.
There's something so amazing about a film that can keep you on your toes with it's fast-paced action and consistently funny antics as "Stockholm" does. Despite being a known true story of the origin of Stockholm Syndrome, the film was able to make me excited to see what happened next as it captivated me through well-written dialogue and incredible characterization of the few main characters. After watching this film and mediating on it for a while, I was struck by the fact that director Robert Budreau was able to perfectly capture the essence of the syndrome, even making me root for the captor, Lars Nystrom (Ethan Hawke), as the film progressed. I found it so interesting that the Budreau was able to do this with every detail, right down to the music. The music was easy to listen to being upbeat and chill, completely counteractive to the action on the screen but perfectly fitting to the character of Nystrom. The cinematography used in the film also helped develop this reaction as each scene was filmed to masterfully capture the emotion meant to be felt using dark versus light lighting and muted versus bright colors as they developed throughout the film, paralleling the unfolding character of Nystrom. This film was interesting and all in all wonderful to watch; I highly suggest you take the time to see it.
Stockholm fires on all cylinders, from its witty dialogue to its exceptional acting, but its character development is definitively the film's high point. In a story about a sympathetic captor, it would be easy to have him fully transform from villain to hero and have audiences satisfied that good prevails. However, Lars (Ethan Hawke) never loses his edge despite the development of a caring relationship with his hostage. The decision to develop a character that doesn't come full circle in his arc is a risky move, but it reaped a great reward for Dir. Robert Burdeau. The depth that he brings to Lars makes this film the perfect blend of style and character, ultimately creating the perfect cross between crime drama and dark comedy, which is guaranteed to appeal to any film buff.
Based in 1973, this period piece and true story from director Robert Budreau tells the origins of the Stockholm syndrome condition. In Sweden, we see this crime drama meets comedy explode with entertainment from the cast which besides Ethan Hawke as the bank robber, we receive a phenomenal role from Noomi Rapace who plays one of the bank employee hostages. There is incredible pacing and craft in relaying this 6-day event which transpired in Europe during this time. Music selections such as Bob Dylan and Margaret Lewis give an added aesthetic from the 70's that really ties the films authenticity together.