Nirgendwo in Afrika (2001) Reviews

• A different view of racism

  csm232004-02-02

  When it comes to films about the Nazi racism, Nowhere in Africa is in a class by itself. Unlike Schindler's List and a plethora of screenplays on the subject, all of which confine the drama to the morality of good and evil, some with didactic overtones, others with pure shock value, or both, this movie illuminates, both with a spotlight, and a microscope, the social origins of racism. Here's the problem: The very institutions that teach right from wrong, that inculcate tribal loyalty, patriotism, and social identity, that teach us to pledge allegiance and follow the golden rule, have also quietly inferred, or noisily demanded, that the `other,' the `alien amongst us' in Biblical terms, is both different, and inferior. Every culture, Herodotus observed, thinks its own system of values superior to the values of others. If this is true (and I think it is), the subtext is clear: `others' are inferior. Which leads one to ask: Is it possible to have a moral, socialized populace without racism, or, at least, ethnocentrism? Set in Kenya during World War II, the drama devolves around the struggles of an expatriate family of German Jews. Culturally, intellectually, and socially, they are Germans, not Jews, which is both fascinating, and historically accurate. Like many other Jews of their generation, the expatriate family viewed their Jewish heritage with both skepticism, and as a sentimental indulgence. Unable to come to grips with the events in Europe, reeling from and their new social status of being nobodies in the middle of nowhere, they struggle as social nomads, stuck between their privileged position as white overlords of the native Blacks, and their fallen, uncertain status as guests without rights. We watch the internal dynamics of a Jewish expatriate family through the prism of its own internalized assumptions, both as highly cultured Germans, and increasingly as Jews. And what they discover about their own hidden assumptions, their ethnocentrism and European sense of privilege and superiority, becomes as shocking to them as Hitler's Germany. Like every other archetypal hero, being nobody in the middle of nowhere is the crucible that produces the Hero's special character, where he or she eventually returns home, in the end, bearing gifts, wisdom, and a healing balm. In the end, they emerge with real gem of a prize: they understand, both intellectually and emotionally, the comparative advantage of other cultures and societies. What I especially loved about this film is its emotional tone. It's an emotionally evocative film, though not with the mawkish, childish paroxysms of a Disney flick. We watch adults dealing with culturally layered adult emotions, unwrapping and examining each layer as one peels an onion. Their collective emotional journey is as rich and textured and subtly presented as any I've seen.

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• a unique perspective on the holocaust

  Buddy-512004-06-13

  The German film `Nowhere in Africa' provides a fascinating glimpse into a little known chapter in World War II history. The film tells of a handful of Jews who, on the eve of the war, fled to the wilds of Kenya to escape the rising tide of anti-Semitism in their home country. The movie focuses on a lawyer named Walter, his wife, Jettel, and their daughter, Regina, who narrates the tale. The foundation of the story rests on a series of interlocking ironies. First, these Jewish refugees find themselves being treated in a more humane fashion in this ostensibly `uncivilized' society than they were in the so-called `civilized' one they've been forced to flee. Second, the men in this dislocated community end up fighting against their own native country, eagerly joining the allied forces in their attempt to overthrow Hitler. Moreover, Jettel, although she and her family are themselves victims of prejudice and bigotry, still feels superior to and looks down upon a culture and a people she believes are clearly inferior to her own. Finally, as the war comes to a close, Walter and Jettel virtually trade places in their attitudes: he, once so eager to remain in Kenya, feeling the need to return to a post-Hitler Germany to help rebuild his native country and she, once so eager to leave it, wanting to remain in a land she has learned to love, a country she has come, in many ways, to think of as her own. In fact, it is the transition Jettel undergoes throughout the course of the story that makes `Nowhere in Africa' such a fascinating film. For Jettel is clearly the most interesting and complex character in the movie. Haughty and coldly superior at the outset, she eventually comes to see the beauty of `differences' that exist between peoples and cultures, an appreciation that, paradoxically, brings home for her the universal nature of human beings. Despite the grim reality of what is happening to her family and friends back home, Jettel is at first unable to shake the sense of pampered privilege she has long taken for granted as a result of her upper middle class upbringing and background. But both the land and the people of Kenya soon transform her into a woman who is able to see and understand the truly important things in life – tolerance, acceptance, love, family. The relationship between Walter and Jettel is a truly complex one; they are not a conventionally happily married couple, but rather one torn apart by their different, often-conflicting views of the world and their somewhat shaky love for one another. There are times in the movie when we simply do not know where one or the other partner is coming from – and that ambiguity heightens both the reality and the drama of the characters and their situation. As the ever-observant daughter, Regina is a more conventional, less well-rounded personality, more a plot device than a fully developed character in her own right. Still, she provides a great deal of the emotional depth needed to fully engage the audience in the story. All the actors are superb, with Juliane Kohler as Jettel proving a particular standout. In addition, the wide screen photography captures, with crystal clear clarity, the haunting beauty of the African countryside, bringing an almost epic quality to this otherwise intimate family drama. For, indeed, despite the personal nature of the story, there is lurking ever present in the background – mainly through letters received from desperate and increasingly endangered relatives back home – the larger picture of a world gone suddenly, inexplicably mad, a world that feels strangely remote yet which is all too real in its menace and influence. This isolated community may provide for these dislocated people a refuge for the body, but it can't provide a refuge for the mind and soul. `Nowhere in Africa' offers a unique, eye-opening perspective on the holocaust.

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• First Epic in a Long Time

  zachsaltz2003-07-27

  Here is a grand epic in the scale of "Gone With the Wind", "Lawrence of Arabia", and "Fitzcarraldo". It is the best movie I've seen this year, and more than that, it was one of the most amazing film experiences of my life. It is Caroline Link's "Nowhere in Africa", which won the Best Foreign Film Award when, in actuality, it was far better than the Best Picture of the Year. To call it a great or brilliant or majestic film is an understatement; in fact, I'm at a loss for adjectives to describe it. The film tells the story of a German Jewish woman and her young daughter summoned to Kenya by her husband, circa. 1938. Adolf Hitler is on the brink of declaring his "final solution" of the Jews, and it is with great luck that Jettel and young Regina escape. In Africa, they adapt slowly to their new rural life. While Regina befriends cook Owuor, Walter and Jettel's relationship threatens to destroy itself because of the hardships the family encounters. I will not spend too much time going into detail, for watching this masterful story unfold is a treasure in itself. This film is based on an autobiography by Stephanie Zweig, and when it is available in English, I will certainly read it. Also, the language in this movie is truly beautiful. I saw "Nowhere in Africa" again, just days after watching it for the first time, and spent more time ignoring the subtitles and listening to the beautiful spoken German. And then there is one scene toward the end that I simply could not believe. It involves a locust invasion, and, quite simply, it was the first time I've ever seen something on the screen and asked myself aloud (as I did the first viewing), "How did they do that?" The performances here are first-rate, too. Julianne Kohler, who was wonderful in the ultra-weird "Aimee & Junger" is perfect; we understand this woman fully, even when she doesn't speak. Merab Ninidze has some great scenes with Walter, the father; and Sidede Onyulo is simply magical as Owuor. But the movie belongs to the two girls who play Regina. They look amazingly similar, and they are both stellar. Lea Kurka brings much hope as the adorable young Regina, and Karoline Eckertz is subtle and remarkable as the older Regina, particularly in a heartbreaking exchange with her father at her school. It would be a shame to miss this film. No, it would be more than a shame. It would be downright wrong and discouraging. This film, along with the wonderful "Whale Rider" are two remarkable international films that bring beauty, grace, and majesty to the screen, and are perfect for adults and older children.

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• Adorable, Wonderful, Delightful – I do not Have Enough Words to Express How Beautiful This Tale About the Life of an Expatriated Family in Times of War Is!

  claudio_carvalho2004-11-16

  In 1937, the non-orthodox Jewish German lawyer Walter Redlich (Merab Ninidze), aware of the growing of the Nazi movement in Germany and how it would jeopardize the Jews in his country, moves alone to Nairobi, Kenya, to administrate a farm. His only friend is the also Jewish German Süßkind (Matthias Habich) and his African cooker Owuor (Sidede Onyulo). In 1938, his spoiled wife Jettel Redlich (Juliane Köhler) and their young daughter Regina (Lea Kurka / Karoline Eckertz) arrive. Regine easily adapts to her new lifestyle, but Jettel does not adapt to her new condition of poor expatriated woman in Africa. Along the years, bursts the Second World War, and the Redlich family experiences the most different situations until 1947. Adorable, wonderful, delightful – I do not have enough words to express and describe how beautiful this tale about the life of an expatriated family in times of war is! The running time is 141 minutes, but it could be longer so lovely the Redlich family saga is. There is drama, action, romance, sympathy, love, hate, the most different sensations and feelings are transmitted to the viewer in this stunning movie. A must-see film indicated for the whole family. Congratulations to the writer, director, cast and the whole crew who have developed such a wonderful entertainment. 'Nirgendwo in Afrika' is certainly one of the best movies I have watched in the last years. My vote is ten. Title (Brazil): 'Lugar Nenhum na África' ('Nowhere in Africa')

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• Incredibly Authentic movie on Africa

  mks-62004-09-03

  There are lots of movies set in Africa. Few come anywhere close to showing the beauty as this movie does. But it is only a backdrop. The plot is captivating and the acting superb. Having grown up in Kenya, I found the authenticity to be astounding. The use of appropriate languages was mind-blowing. There was not a word spoken that was in German for the sake of the audience -- If it would have been said in swahili, it was; English, in English. Few movies make quite the impression on me as this one. I seldom watch movies with subtitles, so it took a bit to get used to it, but I think it was better in German than it would have been if it were dubbed.

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