In the Electric Mist (2009) is a English movie. Bertrand Tavernier has directed this movie. Tommy Lee Jones,John Goodman,Peter Sarsgaard,Mary Steenburgen are the starring of this movie. It was released in 2009. In the Electric Mist (2009) is considered one of the best Crime,Drama,Mystery,Thriller movie in India and around the world.
Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before.
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Tommy Lee Jones has either read Burke's books or he is really that good. Unlike Alec Baldwin's Robicheaux in "Heaven's Prisoners" Jones has the complex nature of Robicheaux's personality down. Jones can deliver on the character's contrasting moods -- the sensitivity of his care for others versus the fire of his smoldering anger. Good flick. No stupid CGI tricks, no political correctness, just a good old fashioned crime mystery with a very riveting main character. There are some unresolved elements regarding the Goodman and Beatty parts but the dogged pursuit of the criminal element by Jones is worth the price of admission. I've read all of Burke's books and this is as close as anyone is going to get to myriad aspects of Dave Robicheaux's tortured soul. Burke fans disappointed by "Heaven's Prisoners" should see this one.
There aren't too many movies where you find that each and every actor seems realistic, without overplaying his or her part. I definitely have a bias towards moody, dark Louisiana movies with psychotic killers and corruption. This movie has all the virtues of that genre. Tommy Lee Jones is excellent as a worn-out, aging, alcoholic detective (on the wagon) who has a strong moral sense, but cuts corners when he deems it necessary. John Goodman is so versatile that I didn't recognize him as the same actor who was in The Big Lebowski which I had watched only the day before. The script was so adept that they handled the issues of race relations in what I considered a realistic manner without any preaching. The settings, whether swamps at night, Southern mansions, broken down shacks, or merely country scenery all seemed highly realistic. The editing was excellent. Thus, the timing of most scenes was just right, so there wasn't the problem of boredom. The only reason I gave the movie an 8 rather than a 10 is that it suffered from too much mumbled dialogue, so you have to be willing to live with about 25% of dialogue shooting past you (unless perhaps you are from "Loozyana"), and perhaps missing some of the relationships between people early on. However, while this meant that you might miss out on some of the subtleties, the story is not that fast moving and complex that it warrants bypassing the movie, given all its virtues.
Why this movie went straight to DVD is beyond me. The mood is pure southern Gothic, the acting is terrific, and the story is complicated and sad. The performances were dead on. TLJ hits Dave Robicheaux on the button. But the best is Mary Steenburgen as Bootsie. She really nails this part. The story is about a Cajun cop who is haunted by his own demons, and by the demons he faces in his work as an Iberia Parish Deputy. The characters he meets in trying to solve the murders are so true to life that you wonder if the people playing the parts were really actors. John Goodman is great, as usual, as is Ned Beatty. While a good old fashion murder mystery awaits you, what is more important, as it is in the novels by James Lee Burke, is the story of Robicheaux. He is a man who has a strong moral code, yet is violent, alcoholic, and continually puts his family in danger. The complexity of his character is difficult to portray, but TLJ does it better than anyone else could. It is a fine, beautiful movie. Now if only another movie could be made that also includes Clete Purcell, one of the best sidekicks ever written in a mystery novel series.
A no-nonsense cop named "Robicheaux" (pronounced Roba-shaw, and well played by Tommy Lee Jones) is on a case involving the murders of several local prostitutes. At the same time, Robicheaux is haunted by a decades-old killing of a Black man whose remains are found in a swamp by a member of a film crew shooting a movie. So the twin questions are ... who is responsible for the murders of the prostitutes, and is there a link between these murders and the long-ago killing of the Black man? Set in modern day South Louisiana, near New Orleans, "In The Electric Mist" absolutely drips with authentic Cajun atmosphere. The place names, the rustic look of old frame houses, the backwater bayous with lush vegetation, those wonderful Louisiana accents, the outdoor barbecue at a plantation house ... You feel like you're really there, in that place. It's the best element of the film, by far. The film's casting and acting are quite good. And the music is terrific. At the end credits the song played is the haunting "La Terre Tremblante", with its mystical-Blues sound and French lyrics. The song is straight out of Cajun country, and it is mesmerizing. Unfortunately, the film's plot is muddled. Editing is terrible. And the film's ending is very unsatisfying. My understanding is that the film went through some serious post-production issues, the most significant being the deletion of a number of scenes. These deletions may account for plot problems associated with choppy flow and lack of clarity. Even so, "In The Electric Mist" is still worth watching, not so much for the story or plot as for the evocative Cajun atmosphere and that terrific music.
Filled with bayou atmosphere, the film follows Louisiana detective Dave Robicheaux as he sorts through two cases that tie together past and present, history and future, black and white, rich and poor. The cultural tension that permeates the movie creates the backdrop for a psychological crime drama whose suspense comes primarily from the personal conflict of Robicheaux. The crime action itself serves more to buffet the lead character on his internal journey than to create an action-heavy thrill-ride. In the Electric Mist is rich in atmosphere, and that is perhaps its strongest point. All aspects of the film-making process come together to drive home the feeling of the Lousiana bayou, from the detailed sets to the slow pace to the contrast between the simmering intensity of the true Louisiana folks with the outlandish extroversion of the outsiders and the locals who have been won over by Hollywood culture. It is a movie best experienced with your full attention. There is a strong sense of suspense in the film, but it is delivered through tragedy and the search for resolution, not high action. While Tommy Lee Jones delivers the sort of performance one might expect and there are certainly plenty of thriller mainstay elements, this is not an action piece, an in intrigue, or a intricate mystery. If you cannot get invested in the tension of a complicated shades-of-grey lead character and his search for answers to questions that may not e fully expressed, the suspense will likely escape you and you will be left with a slow movie with an unsurprising plot. And if you cannot get absorbed into the play of contrasts and dialectics within the fabric of the rural Louisiana cultural fabric, you probably find the message trite, the ending too neat, and some of the performances (e.g., John Goodman as Baby Feet Balboni) as over-the-top and distracting. But if you can allow yourself to experience the film through Jones' Robicheaux, you will find yourself sharing his internal conflict, delighting in bright spots of energy like Alana Locke's Alafair, and clinging to a misty hope for resolution.