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Guizi lai le (2000)

Guizi lai le (2000)

GENRESComedy,Drama,War
LANGMandarin,Japanese,English,French
ACTOR
Wen JiangKenya SawadaHongbo JiangTeruyuki Kagawa
DIRECTOR
Wen Jiang

SYNOPSICS

Guizi lai le (2000) is a Mandarin,Japanese,English,French movie. Wen Jiang has directed this movie. Wen Jiang,Kenya Sawada,Hongbo Jiang,Teruyuki Kagawa are the starring of this movie. It was released in 2000. Guizi lai le (2000) is considered one of the best Comedy,Drama,War movie in India and around the world.

During the Japanese occupation of China, two prisoners are dumped in a peasant's home in a small town. The owner is bullied into keeping the prisoners until the next New Year, at which time they will be collected. The village leaders convene to interrogate the prisoners. The townspeople then struggle to accommodate the prisoners. One is a bellicose Japanese nationalist, the other a nervous translator. Will the townspeople manage to keep the prisoners until the New Year?

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Guizi lai le (2000) Reviews

  • A must-see film, especially for Chinese

    blowaway2007-10-17

    This is the second time I see this film. As a Chinese, I feel a strong urge as well as an obligation to write some comment about it. I can safely conclude that the film vividly showed what the real situation was during the Japanese occupation in China back in WW2. It is totally different from those main-stream anti-Japanese war films we can see throughout our early life, which still can be seen being replayed in CCTV (China Central Television) over and again again. In those films, almost all Chinese, young or old, men or women, were all warriors fighting against the Japanese invaders. We all know that it wasn't true. From this film, we can see how ignorant and stupid those Chinese peasants were. It gives us a chance to review what was really going on during that time. It is a history we cannot deny. As a matter of fact, this film was banned in mainland China by some kind of a "censorship" mainly because it revealed so much truth. The director of the film, Jiangwen, is my only favorite director from China. You can say he is ambitious, a genius or whatever. But i say that he is a director with a sense of responsibility to our nation, to our people, to those heroes and civilians died in the war. He is not afraid to dig up the less-bright side of the history and present it to us, to those younger generation who never go through the war. It reminds us never to forget history.

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  • Masterpiece from Asia, universal message on human nature.

    StephaneD2001-10-11

    This is a really beautiful movie. The picture is marvelous, the plot is great; it's amazingly funny, I surprised myself keeping laughing very often on jokes in Chinese language!!!...Black and White is a really justified choice. The story is of the japanese occupation of China during WWII is very new to westerners. Cruelty of the then Japanese occupants is sudden and devastating. The end is a terrible movie scene, one of the most stunning ends I've ever seen. I'm usually into us or european movies, and not at all into asian movies, but I think it's one of the greatest chinese movies I've ever seen, with hong-kong's "in the mood for love" and taiwanese "yi yi". But it's much easier to see : anyone could see it without getting bored. It's been acclaimed in France and Cannes Film Festival. It should have deserved an international acclaim. I keep recommending it around me in Paris. Hope it's played elsewhere in other western countries; and in Japan of course... 10/10

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  • A masterpiece from Jiang Wen, again

    law822004-02-01

    After enjoying the excellent In the Heat of the Day, I really looked forward to watching this movie and had high expectation on it, and I certainly wasn't disappointed. This movie is a tragi-comedy about the Japanese invasion of China, which of course is no laughing matter, but this movie is genuinely funny and never falls into the bad taste category because it shows you the brutality of war and how it affects the Chinese people (albeit from a different angle than one would expect). The ending, which I am not going to give away, is excellent and I think it is the most courageous war movie ending I have ever seen. However, one thing about Jiang Wen's movies is that they are so technically interesting that it is difficult to see what his movie is about as a whole. Anyway, I highly recommend this film.

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  • A Bright, Shining example of Chinese cinema.

    danc19872007-11-12

    There is no question that the Japanese occupation of mainland China during WWII was marked by unimaginable cruelty and actions so barbaric that any sane human being would shudder at the description of them. This is all obvious to anyone who has had an unbiased, detailed education of that dreadful time period. On the surface, Jiang Wen's film touches on these acts to illuminate what it must have been like for the Chinese to cope with the Japanese "devils". But a thorough viewing of the film reveals so many more questions not just about the Chinese and Japanese but about the universal relationship between war and humans. Wen directs this film in a peculiar way. He uses comedy that forces us to laugh at things that we shouldn't. You find yourself smirking or smiling in moments until you catch yourself and remember that the whole scene in which you were laughing at was where character's lives were at stake. Most people will read this and not see what is so masterful about this approach. What makes Wen's quirkiness work is that it illuminates the naivety of human beings while at the same time brings these characters to life, which in the end leaves us trembling with emotion. It is a film that transcends common conceptions about war. A masterpiece.

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  • The Chinese "Underground"! A great, tragic, dramedy!

    directjw2001-04-23

    Like Emir Kusturica's Underground, Devils on the Doorstep is a great, epic comedy-drama which examines how history can effect and destroy a small group of people. Like Underground, Devils mixes Rabelaisian humour with powerful drama to create a rousing, albeit bitter, commentary on the foibles of the human condition. I watched the 139 minute version at the San Francisco International Film Festival, and when the film was over, the audience broke out into thunderous applause. I believe that 139 minutes is long enough for this film, although it would be interesting to see the 162 minute version. Devils begins as a humorous comedy-drama examining how a group of Chinese villagers react to two Japanese POWS who are dumped mysteriously into their village. It is both touching and hilarious to see how the villagers deal with the POWS. However, Devils takes an unexpectedly tragic and violent turn in the last quarter of the film, when the realities of WWII destroy the lives of all the villagers. The climatic party scene near the end of the film is one of the best scenes I have ever seen- the laughter and joy at the beginning of the party cushion us for the horrific violence which ensues. Watch Devils on the Doorstep and enjoy the human comedy, but be warned about the last act of the film, which is unforgettably powerful and wrenching.

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