Film Noir (2007) Reviews

• Exceptional Film

  dtprice2007-06-23

  I was into the story from the moment it began...not an easy accomplishment for an animated film. It manages to do the LA police/detective/murder story without lapsing into clichés. In fact, complex twists and turns in the plot keep you involved. Just when you think you have it figured out, you're hit with another sharp left turn. Loved the mix of murky film with animation. I recognized classic Hollywood landmarks. The art direction never gets dull. Angles are unexpected and animated effects are great. Great music by Keller, his first attempt at scoring a picture. He also is the voice of the main character. And the sex scenes.....animation is able to leave just enough to the imagination...it's better than a lot of filmed sex.

  More

• A decent take on the film noir genre by explicitly being Film Noir

  quanpham022007-11-11

  This movie isn't great, but it is definitely above average. The director himself said it was a B-movie, and it felt like it. Except for the fact that I was completely enthralled by the story from start to finish. Sure the animation was not up to the quality that this film deserves, but I think anything too "real" would've made it too serious. As long as you come in and expect a borderline satire/cliché take on the entire film noir genre, you are going to have a blast. The twists (at one point I was convinced it was a battle of different personalities) and creepily explicit scenes at the end will alone be worth your while. Now, the bad: The film runs a tad too long on some scenes. Particularly, the grave digging scene. I wasn't sure why we needed to see the hero digging for five minutes. The overall animation is sub par if you are used to the likes of Pixar. At some points, this movie looks more like a student's CGI demo.

  More

• Junk Noir

  tieman642009-01-30

  Made by a small crew of Yugoslavian animators, "Film Noir" is a low budget animated film given a limited release in 2007. The film opens with our noir hero coming to consciousness under the famous Hollywood sign. He finds a gun in his hand and the corpse of a dead LA policeman at his side. We quickly realise that our protagonist is amnesic. He has no memory, no idea who he is, what happened and why he killed this police officer. Desperate for answers, he drives to the house of Rodney, an address and name which he finds on a small slip of paper. Problem is, Rodney is the name of the cop he just murdered. What's worse, Rodney is being thrown a surprise birthday party by the entire LA police force. Five minutes into the film and the audience is hooked. With its rain swept cityscapes, jazzy soundtrack, hardboiled characters and lush narration, this is a film completely in love with all the signifiers of noir. It's an onslaught of aesthetics, the film creating a cosy space which half exists on screen and half exists in your imagination. The film trawls a pop-culture past, absorbing noir clichés, signifiers and details and then spitting them back out at us as a series of referentials. The title itself, the unimaginative "Film Noir", lets us know that this is an embodiment of all things noir. But more than that, it is a perverse continuation of noir. It's noir taken to its logical end point. Like "Sin City" this is self-conscious pop noir, but unlike "Sin City" it is genuinely sleazy and genuinely exploitative. Distributed by the French, filmed in English and animated by Serbians, the film is filled with gratuitous nudity, relishes its B movie plot and our hero is always ready to drop his pants for a quick bout of sex. Like "Sin City", the femme fatales have also all been reduced to leather clad dominatrixes, sluts and fetish objects, but while Robert Rodriguez balked at having Jessica Alba writhe her body in the nude, director Jud Jones is not afraid to push his film into more perverse territory. Hollywood is obsessed with consuming itself and spitting out "corrected" copies, desperately seeking a kind of perfect representation of a past image. Noir, like the action genre, is evolving toward a spandex clad form of pornography, where every familiar prop, line and character is fetishized, aestheticized and turned into a signifier; one noir film after the next, each trying to get closer to some intangible hyper-reality, the violence harder, the sex sexier, the dialogue thicker, the shadows darker, the rain wetter. Such hyper-reality used to be hard to approach, but now with CGI, animation and modern SFX, we can get closer to, not a truth, but a familiar lie. For about half an hour, "Film Noir", like "Saving Private Ryan", is brilliant with its hyper-atmospherics. It immerses us in its noir world, every movement, sound and action super calculated...but after half an hour of cinematic masturbation, it explodes into a frenetic ejaculation of easy violence, pointless sex and dumb action scenes. The tease is gone, the promise is undelivered and instead, like the fantasies of a juvenile imagination, we're left with humanity at it's most base: sex, violence and easy blood lust. This is your payoff. Take it or leave it, we already have your money. 6/10 - Watch the first 30 minutes and then switch off. Or watch the whole thing and mock "Sin City" for lacking guts.

  More

• A disjointed mix of noir and animation

  wbogard2008-06-09

  I really enjoyed the premise of the film, a modern day detective story with a heavy dose of noir. But, if you've read the plot description, a good portion of the film may have been ruined. What also stands against it is the uneven animation. At times the animation is superb and I felt captivated by it but at other times it seems that it emulated the type of bad computer graphics that abounded in the early days the form: characters that lose human expression and objects that don't seem to interact well together. Examples would be a character not properly gripping a shovel and one character's flowing hair moving unimpeded THROUGH another character's arm. For the most part I enjoyed the story, and loved the twists and turns of the plot. But at other times some elements seemed too far fetched or over-the-top. Without revealing too much, let me just say that the helicopter is a prime example. I rated the movie a 5 out of 10. It had its good marks and its poor ones. The animation often took me out of the movie but the plot twists kept me watching.

  More

• A decent entertainment, disappointing noir attempt

  the_docteur_lessard2008-08-29

  Although the initial minutes of the movie very much put you in a film noir atmosphere, I felt the plot quickly shyed away from that and turned into a rather disappointing action movie. Basically the movie tries to do both noir and action at once, and although both genres aren't exactly mutually exclusive, there is obviously a limited specter of action that the noir atmosphere can tolerate without being ruined. I felt like that specter was definitely breached here. The plot has a few interesting twists although a lot of short cuts are used to move it along, leaving a sour taste behind. However it also has predictable and very disappointing choices scattered throughout, which is harder to forgive. As for the animation per se, I didn't put too much thought into it, it felt alright although it was far from stellar. So basically this is an okay movie, I wouldn't run away nor towards it, if you happen to pass by it on a boring night and the right mood, go for it.

  More