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ACTOR
Monique GabrielleCrofton HardesterDana Burns WestburgYaseen Khan
DIRECTOR
Walerian Borowczyk
SYNOPSICS
Emmanuelle 5 (1987) is a French,English movie. Walerian Borowczyk has directed this movie. Monique Gabrielle,Crofton Hardester,Dana Burns Westburg,Yaseen Khan are the starring of this movie. It was released in 1987. Emmanuelle 5 (1987) is considered one of the best Action,Drama movie in India and around the world.
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Emmanuelle 5 (1987) Reviews
Walerian Borowczyk's erotic masterpiece!
Emmanuelle 5 is Polish surrealist Walerian Borowczyk's penultimate theatrical feature, a film who's merits are hotly debated among cult and art film lovers. Some see the movie as nothing more than a commercial sell-out, others as an interesting addition to his body of work. It's also the last quality entry of the official Emmanuelle franchise. Adding to the confusion is the fact that there are at least three versions: the theatrical European version, the heavily edited US version (including new scenes produced by Roger Corman!), and a European home video version including extra hard-core scenes that feature none of the principal cast. This time round Emmanuelle is portrayed by Monique Gabrielle, who is, in a jarring change, a bleach blonde American actress. Never mind that the character is supposed to be French, it kind of works, mainly because Ms. Gabrielle has the sense to play the role with just the right nod and wink. And while no actress came close to Sylvia Kristel's beauty, charm and class, Monique makes the role her own. Since the film dispenses with any previous character back story, here she portrays Emmanuelle as a single, free-spirited woman who makes erotic art- films and runs a dance studio out of her beloved loft in Paris. The movie opens with a "Lifestyles of the Rich and Famous" style montage of Cannes, with a documentary-like narration giving us an overview of the famous film festival held there every year. It seems Emmanuelle is premiering her latest film, Love Express, in Cannes... causing a scandal in the process. In fact, we first see her in this film within a film, in a beautifully shot sequence on a set of craggy rocks overlooking the roaring ocean. At a press conference later, she must defend her film to close-minded reporters who accuse her of creating pornography. It's all obviously a reference to Borowczyk's own experiences at the very same festival. After the Q&A, Emmanuelle's producer, a smarmy French type, introduces her to Prince Rajid, a wealthy sheik who own's the fictional Arab country of Benglagistan. He's apparently obsessed with Emmanuelle and wants to premiere the film in his homeland. Outside, an adoring throng of male fans awaits Emmanuelle, all desperate for a touch of the famed beauty. Things quickly escalate and soon the mob is stripping her of every last article of clothing, sending her jumping onto a stranger's departing boat for safety. Her unwitting saviour is Charles D. Foster, a nerdy, but handsome young millionaire who disapproves of Emmanuelle's erotic films. Sparks fly, and before you know it, love is in the air. Is a happy ending in the works? Perhaps, but not before a journey back onto the Love Express and Prince Rajid kidnaps Emmanuelle, putting her in his harem. The version most people know is the English language American edit (which in addition to the new Corman scenes also utilizes Borowczyk's outtakes), perhaps the reason Emmanuelle 5 is dismissed by some. The new scenes, while amusing, just don't gel with the traditional European style that people expect from Emmanuelle films. While the original release of Emmanuelle 5 certainly doesn't lack a sense of humor, Corman's New Horizon version goes over the top with campy 80s comedy, seeming more like a companion to Bachelor Party (also starring Ms. Gabrielle) and other films of that ilk. It's also clumsily edited - the transition between film quality is jarring. What they attempt is admirable (give the story more cohesion, tighten the pacing), but apparently they didn't even bother doing a final film print edit, it was all put together on 3/4 video with a series of bad fade-ins and bleeds. Apparently they opted for a quick home video release and couldn't be bothered to finish it off right. This version is also only available in a terrible full-screen DVD transfer. If you can track down a copy of Borowczyk's original theatrical edit of Emmanuelle 5, do so. It's a smart, interesting film well worth owning, and has a lot more going for it than Monique Gabrielle's bare breasts.
Monique at her best
Monique Gabrielle at her best. No other actress who played this part can compare to her. Here she can show that she is not only sexy and beautiful she can also act and that is a fact many people forget when they see her breasts. For fans of Monique this movie is a must!
Many versions exist of this film; none of them good.
Poor Walerian Borowczyk. Such a promising career early on as an important player in avant-garde European cinema, his talents wasted by the time this movie was made. I can understand sometimes you have to pay the bills (ask Jean Rollin) by making porn, but this could have been made better. What, you ask? Porn? Indeed. This movie seems to have several edits for the domestic and international markets. American releases have had a 77 minute "R" rated cut I believe as well as the 85 minute "unrated" edition. The French version is roughly 85 minutes but will be virtually unrecognizable to most audiences. The first 20 minutes are an extension of Emmanuelle's "Love Train" movie which we see being screened by Cannes audiences. This 20 minute sequence contains 3 pornographic sequences, which look like they were intended for another film but found their way into Emmanuelle V. (The sex toys on display are those of Borowczyk, I guess to make these scenes "arty"). After these sequences, the film continues in the same way as the American versions except for a porno sequence in the ballet school and a porno lesbian encounter at the sheik's harem (with more of Borowczyk's "personal collection"). Monique Gabrielle does not appear in any of the porno sequences, just the softcore ones. The French version has little dialogue, but really, do you care what they're saying?
Little to do with Emmanuelle maybe, but fun!
For Monique Gabrielle, "Emmanuelle 5" did not become a long lasting breakthrough, but kept her in business. The story is pretty straight: Emmanuelle is kidnapped by Rajid who locks her up in his harem. Rajid behaves like a dictator and snores: "Women are weak", so he obviously didn't get to know Emmanuelle well enough yet. Friends of Emmanuelle want to rescue her, but wait until plenty of women inside the harem have been filmed long enough ;-). Director Borowczyk was celebrating the character of Emmanuelle: "She is free, without prejudice, and she has confidence in herself" (quoted from "Cinema" 4/87). And she even gets a machine gun this time which makes confidence easier, I bet... Even though is has very little to do with the original Emmanuelle, Vol.5 is at least fun, moving faster than any other contribution to the series. The scene which sticks to everybody's mind is right at the beginning, when an enthusiastic crowd tears Emmanuelle's clothes off at a film festival, so her only escape is a jump on a yacht whose owner is understandably bewildered. I voted 7/8/6/4/6/7 for the six cinema films of the series. (Edit 2017) Nine years after my review above, I got a copy of the German version to watch. We are talking about an entirely different movie here compared to the US version. In the German version, which also includes censored remains of a French video version, there is hardly a linear story and the editing is experimental, to put it mildly. I am not surprised that the American distributors decided to shoot additional scenes and re-edit the whole mess to make it more commercial - less art maybe, but a lot more enjoyable.
Worthless addition to famous series
Penthouse queen Monique Gabrielle stars in this low budget Andy Sidaris style 'thriller' as an actress lured to some fictional middle eastern kingdom to be a sex toy for its cruel ruler. With that plot line it had exotic (or at least lurid) potential, but the final product lacks the conviction of its cheesy exploitativeness. Even the nude scenes are boring and tame, and the whole thing looks about as authentically middle eastern as a set from Harum Scarum. What make the other Emmanuelle movies appealing is the way they drip with local color and jungly Asian atmosphere, not to mention steamy hothouse sex, and the previous installment (Emmanuelle IV) was still churning this out. This is yet another series that went on too long. Avoid.