SYNOPSICS
Die fetten Jahre sind vorbei (2004) is a German,English movie. Hans Weingartner has directed this movie. Daniel Brühl,Julia Jentsch,Stipe Erceg,Burghart Klaußner are the starring of this movie. It was released in 2004. Die fetten Jahre sind vorbei (2004) is considered one of the best Drama,Romance movie in India and around the world.
Berlin student Jule is hoplessly indebted due to an accident she caused, uninsuredly hitting a rich businessman's limousine. Evicted from her flat she moves in with her boyfrend Peter and soon learns that Peter and his flatmate, Jan, are breaking into luxurious mansions at night. Instead of stealing or vandalizing, though, they carefully and ornately rearrange furniture and valulables and leave obscure messages. Jule convinces Jan, who has a crush on her, to pay a visit to the villa of her creditor.
More
Die fetten Jahre sind vorbei (2004) Reviews
"You have too much money."
Don't let anyone tell you horror stories about the camera work, they probably never had an ounce of imagination anywhere in their bodies! For those of us who are bored blind with standard Hollywood-ian movies, this kind of camera work is very refreshing. The constant motion puts us right into the characters' world and helps foster an instant connection with them. Not that one wouldn't connect with them without the fancy directing! On the contrary, Jan, Jule, and Peter will reawaken the idealist in anyone. The movie is essentially about three friends with seemingly no particular direction in life other than petty political activism now and then. But Peter and Jan have found a very clever way of subverting the socio-economic system they so despise. Calling themselves "the Edukators", they break into the homes of the fabulously wealthy only to make some absurd adjustments to the arrangement of their furniture and leave a simple note behind: "You have too much money." With this basic plot, The Edukators delves into that ill-defined human notion of morality, eventually blurring the line between the ethics of social politics and the ethics of personal relationships. Don't let the plot scare you, you don't have to be an anarchist to enjoy this movie! It's well-written, beautifully shot, and flawlessly performed. Some of the drawbacks are that it gets a little long and preachy at the end (which happens fairly often to new directors), but let's not nitpick. I'm willing to gloss over the film's (rare) faults because, in the end, there is far too much to take home from this movie. It's a real shame that some would wish to dismiss it as some crackpot anarchist film.
Wonderful movie
I have to issue a few words of warning first: Don't see this movie after you have just enjoyed a really good Hollywood-production (as I did). Because if you do you may at first be put off a little bit by the quality of this digital productions that does not quite come up to 35mm-standards. You will notice this for about 10 seconds. Two hours later however you won't quite understand anymore what exactly it was you liked so much about this great Hollywood-movie that suddenly seems to be so shallow, so void of real issues and characters ... This is a wonderful, wonderful gem of a movie that won't bore you even for a second and will keep you thinking for days and days. I don't want to go into the plot here (see for yourself), just that: This is NOT a movie that can be summed up in one statement. It is a film about political activism, love, friendship, ideals in life and how we betray them, the generation if 1968 and what became of them, the dynamics of small groups and, and, and... To wrap so much relevant issues into a gripping, highly entertaining and even funny story for me is a real miracle in scriptwriting. The dialogues are outstanding. Of course the main reason this movie works so well is the fantastic cast. All four main characters are absolutely phenomenal and of course Danny Bruehl and Julia Jentsch show again that they are the best German actors of their generation. This movie touches you emotionally, gives you food for thought and entertains immensely at the same time. For me it is the best movie I have seen this year. This is what cinema should be like.
warm, intelligent and entertaining
the edukators is a hugely enjoyable film that perfectly balances the human themes of friendship, love and trust with it's more political undertones. the main characters are all performed with warmth and a playfulness that keeps the human side of the story engaging, while the plot develops with continual twists and tension. of course the idealism and activism of the protagonists plays a central roll, but the film never falls to the temptation to preach or bog itself down with weighty polemic. all in all, the edukators is a breath of fresh air that is both satisfying to the head and the heart. highly recommended.
Great cast, plot, photography, and overall very inspiring.
The cast is impressive. Daniel Bruhl once again shows that he can act. The plot attracts your entire attention as you live the experiences of these three kids in Berlin, and their quest to denounce the evils of capitalism. There's romance, jokes, great scenery and good music. At first it seemed to me this movie was the continuation of Good Bye Lenin (probably because of Daniel in Berlin?) Eitherway, It made me want to travel around Europe some more, learn German, and also think about my obsession with shopping and TV. Very inspiring. In a few words, this movie questions our understanding of happiness and success in a very entertaining way.
there *are* good German/Austrian movies, yippee!
I went to see the film completely unprepared, and I left the theatre rather euphoric. I liked the film because of the amiable story, the roughly-sketched but believable characters (even if we don't learn too much about their backgrounds) and the funny, witty dialog. And last but not least the surprise in the end -- until three minutes to the end I wouldn't have had an idea how to end a story like this. The four main characters were cast exceptionally well, and the dialog -- whew! Yes, the kidnappers seem very naive (so does the manager, btw, in another way), and the words they use are heavy with cliché, but it's not a message of any kind that's new and interesting. It's what happens beyond words: I've rarely seen people in a movie talk and talk so much about convictions and ideology, but all the really important things happen inside them and without words. So go and watch this film but don't jump on the political statements. Things might have some more layers here.