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Basic Instinct (1992)

Basic Instinct (1992)

GENRESDrama,Mystery,Thriller
LANGEnglish
ACTOR
Michael DouglasSharon StoneGeorge DzundzaJeanne Tripplehorn
DIRECTOR
Paul Verhoeven

SYNOPSICS

Basic Instinct (1992) is a English movie. Paul Verhoeven has directed this movie. Michael Douglas,Sharon Stone,George Dzundza,Jeanne Tripplehorn are the starring of this movie. It was released in 1992. Basic Instinct (1992) is considered one of the best Drama,Mystery,Thriller movie in India and around the world.

A former rock star, Johnny Boz, is brutally killed during sex, and the case is assigned to detective Nick Curran of the SFPD. During the investigation, Nick meets Catherine Tramell, a crime novelist who was Boz's girlfriend when he died. Catherine proves to be a very clever and manipulative woman, and though Nick is more or less convinced that she murdered Boz, he is unable to find any evidence. Later, when Nilsen, Nick's rival in the police, is killed, Nick suspects of Catherine's involvement in it. He then starts to play a dangerous lust-filled mind game with Catherine to nail her, but as their relationship progresses, the body count rises and contradicting evidences force Nick to start questioning his own suspicions about Catherine's guilt.

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Basic Instinct (1992) Reviews

  • Finding the identity of a killer is always fascinating, no matter what you're watching...

    Nazi_Fighter_David2005-07-18

    Everyone who has seen the film, discover that the story runs into an intense sexual chess game between a San Francisco detective ('But you said you liked men to use their hands.') and a vivid writer ('No. I said I liked Johnny to use his hands.') Catherine (Sharon Stone) loves coke and Jack Daniel's... She is enigmatic ('How does it feel to kill someone?'), cool ('I like men who give me pleasure.'), frank ("What are you going to do? Charge me with smoking?") penetrating ("I've always had a fondness for white silk scarves"'), in complete command of herself... Her character holds men in her grip... To each uncrossing of legs, she masters every type of attraction... Catherine is a bisexual heiress, who teases, tempts and commands… She refuses to let us know that she's a true threat... She creates one of the classic Femme Fatale by leading us up to twist after twist, weaving outcomes of situations to her advantage... Nick (Michael Douglas) is the vice cop who drinks, and does a little cocaine… He accidentally shot two tourists in the line of duty... He is a troubled policeman who knows all about homicidal impulse... He is torn between two skilled women at psychology... One of the women is an evil manipulator... We can sense that Nick knows which one is the supposed killer... Nick insists he will be strong enough to take her down... The third intriguing character of Verhoeven's "Basic Instinct" is Roxy (Leilani Sarell). She is Catherine's lesbian lover... Roxy is the menacing blonde of the black Ferrari, who seems not to get jealous, but to get excited... We see her wearing pants and a jacket, and dancing with another woman... Roxy let Nick sees Catherine with two men, one of them is a big, body-built black guy... And there is another interesting character who deserves wide attention: the police psychologist who helps Catherine understand homicidal impulse... Dr. Beth Garner (Jeanne Tripplehorn) is a very good-looking, dark-haired woman, who has been involved in a love affair with a policeman... Basic Instinct's photography borrows a range of angles from Hitchcock... The score, by Jerry Goldsmith, is wonderful... The film is wildly considered a controversial and popular erotic thriller...

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  • What A Film!

    btbshining2001-09-18

    This is one of my favorite films, even though it has some problems. The film caused controversy with some of the gay crowd (who didn't like the negative press) and for the graphic sex (with bedroom violence). It became a box office winner, that made Sharon Stone a star, and yet was basically p****d on by the critics! The word is the film is better than your average B movie skin flick, only by the quality of the actors, and Verhoeven's ability. I feel the film is still not given the respect it's due. I first saw the R-rated version, which is very good, but now you can get the even better Unrated Director's Cut, which has even more graphic content! If you don't like erotic-thrillers, then don't see it. But anyone with taste will enjoy the thrill ride of events that take place in Basic Instinct. The script by Joe Eszterhas was highly thought of in Hollywood, and if not for the graphic nudity, a top star like Michelle Pfeiffer would have taken the role made famous by Sharon stone. Does the script go too far at times? Yes, but that's part of the films charm, and after all, the now 'classic film moment' of Sharon Stone's leg spread interrogation, likely would have been dropped in a conventional film. Still though, I wouldn't have minded seeing a few less people getting killed off, to keep even more suspense and realism. The score is also beautiful, and fans of Hitchcock's great "Vertigo" can appreciate the homage that Paul Verhoeven has included. The film has a lot of eye candy, but Jeanne Tripplehorn deserves special mention for her impressive supporting role (sadly she hasn't done much of note since). Michael Douglas does a solid job also, but I can't help wondering if a better actor like Clint Eastwood could have brought more to the table. The dialogue is not up to the level of "Pulp Fiction", but it's still interesting and fun. I highly recommend this film for fans of adult mystery.

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  • A fun but very muddled, illogical thriller.

    fedor82007-01-03

    Mad Magazine named it "Basically Stinks". A bit harsh perhaps. This is not so much about Stone playing mind-games on the perpetually-horny Douglas so much as it is about Esterhaz's script playing mind-games with the viewer. An extremely convoluted plot; this level of complexity is more often found in political thrillers than in regular cops'n'robbers ones. I'll give credit to Esterhaz for creating a very interesting, original story, but the man isn't undeservedly known for writing illogical scripts. Clearly, his priority is to generate suspense and as many plot twists as possible - no complaints there; those things are always welcome. However, he does this at the expense of the logic; there are so many coincidences, contradictions, and just general far-fetchedness that even a hairless 14mm kangaroo fetus can figure out that various facts do not add up. By the last quarter of the movie all the (more relevant) evidence points to Tripplehorn as the killer. But, Esterhaz being a thrills-at-the-expense-of-logic seeker that he is, made that predictable last-minute thriller-movie twist: Stone has an ice pick lying beneath her bed, while she has sex with Douglas in the movie's last scene. What does this mean? It implies that Stone is the killer. (Unless that was a complete coincidence; the ice-pick somehow slid from the kitchen and landed under the bed. Or, perhaps, she placed the ice-pick there knowing that she can play mind-games with the audience as well. Am I being stupid? Not any more than this plot.) However, Tripplehorny had too many motives, too dubious a past, was too emotionally involved - in short: far too suspicious - not to be the killer. And the very coincidence of her being in the building when Douglas killed her shakes away the last iota of doubt about her guilt. Yet, Tripplehorny and Stone cannot both be killers. Or can they...? Esterhaz never suggests this, but the only "logical" explanation, one which would at least tie up some loose ends, would be the following: Tripplehorn and Stone were in it together from the very beginning, just for kicks. I know; it sounds ridiculous, and entails additional illogicalities. But it would at least explain how the hell Stone had all that information about Douglas which he himself at one point said only Tripplehorny had knowledge of, or access to. This is never explained. Since the bald, I.A. dead cop wasn't the one who sold the info to Stone (nor could he have - he didn't know the intimate details which only Tripplehorn knew) it must have been Tripplehorn; this is a fact. But if she interacted with Stone then nothing makes any sense. It's a no-win (no-logic) situation. There is also the "minor" detail of both Stone and Tripplehorn having extremely questionable pasts, with dead bodies lying all around them; this would implicate both. There is absolutely no point in going further into the complexity of illogical errors which Esterhaz undoubtedly commits. He wanted to entertain, and succeeded. His past scripts have shown him that you can have success with illogic, so he bravely marched on with yet more absurd material - right into the offices of Hollywood bosses. And they took it. The film is without a doubt very interesting, at times suspenseful, and there are plenty of twists and revelations to avoid any boredom. That way the viewer is happy, Esterhaz is rich, the studio has a success on its hands, Stone finally makes it big, and Douglas gets to yet again have sex with attractive women all over the furniture. Everyone's happy.

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  • sleazy, amoral and worryingly entertaining

    Jagged-112003-08-03

    How does one begin a review of what is arguably the most controversial movie of the 90's? Perhaps I should start by saying that although Basic Instinct is complete trash with nothing residing beneath its glitzy surface(despite the claims of Camille Paglia there are NO subliminal meanings and the phallic symbolism of the ice pick is purely coincidental) it's also a riveting psychological thriller with Doublas and Stone providing an impressive double in a refreshingly gripping film. I will not go deeply into plot detail, as the story is practically part of hollywood folklore, but in summary volatile cop Nick Curran(Michael Douglas) falls in love with murder suspect Catherine Trammell(Sharon Stone) who may,or may not, have brutally murdered her lover with an ice pick. If the plot sounds familiar its probably due to the fact that Basic Instinct is essentially a combination of writer Joe Eszthera's film 'Jagged Edge' and director Paul Verhoeven's film 'The Fourth Man', both of which had their fair share of sex and fashionable violence. Despite this Basic Instinct still is enjoyable and having seen either of those films will have no affect on the unpredictability of the film. At the centre of the film is Stone's performance which is actually quite superb(though in the long run this film's been more of a curse than a blessing to her film career)as although she's easily the least probable femme fatale ever to grace(or poison to be more accurate) the silver screen, Stone plays her with such zeal that we can't take our eyes off her. That said it should also be pointed out that she becomes rather less intriguing after the first 40 minutes when she becomes involved with Michael Douglas, as her character loses a great deal of her mystique and her personality has less bite. Then of course is the infamous scene (which practically every other reviewer has mentioned and I am going to be no exception) where Tramell is being interrogated by the police and coolly turns the tables on them by exploiting their libidos and reducing them to drooling idiots, totally ridiculous but easily the film's best scene and certainly one that is not going to be soon forgotten (no doubt to the chagrin of Sharon Stone). The rest of the cast are fine, with Michael Douglas doing the character he does best(the rather thuggish white male who constantly gets involved with the wrong kind of woman), Jeanne Tripplehorn doing an adequate job as Nick's pyschologist and George Dzunda manages to be the only half-way likable character in the movie as Curran's best(and only)friend. Unfortunately Leilani Sarelle is under-used as Catherine Trammell's enigmatic girlfriend(I forgot to mention Catherine's Bi-sexual). The film is, of course, not without flaws. No-one (not even the director) could deny that Basic Instinct has such big plot holes you could park a car in them as for some of the events in the film to make sense characters would need to be either clairvoyant or in possession of other-worldly powers. The endings also a bit of a cop out (no I WON'T reveal it) as it was clearly engineered so that it could be easily changed with a single edit if preview audiences were unsatisfied with it. It is also impossible to ignore the huge controversey that surrounded the films release with a particulair furor being caused by feminists and lesbians over their portrayal in the film. In truth the jury's still out on wether Basic Instinct is homophobic, but I personally don't think it is as the characters' sexuality is never really an issue although in fairness it is used as a somewhat cheap plot device to titillate the audience. The case made by feminists is much stronger as all the women in the film are portrayed as dubious and potentially dangerous. The main defence against all this is that, frankly, all the characters are unpleasent and devious , with perhaps one exception, and no discrimination is given in any way. The other issue was, of course, the sex scenes which ,although explicit, are really rather passé these days. The film is stylishly filmed, expertly paced, brilliantly directed and has a superb music score from Jerrry Goldsmith. I'll give it a high score(by my standards) of 8 out of 10

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  • Classic Verhoeven

    tmensamaster-22002-11-01

    Paul Verhoeven is one of my favorite directors. His movies are so damn entertaining. They always, well I should say most of the time, have wit and intelligence [Forget 'Showgirls' and 'Hollow Man', any director can make mistakes] and have either graphic sex or violence or both. 'Basic Instinct' is in the latter category. It is so erotic and Stone and Douglas have so much sexual chemistry that when you look at an Adrian Lyne film, you see them for the crap they are. Basic plotline has Stone's character, 'Catherine Tramell', accused of the vicious sex murder of a retired rock and roll star. Douglas's character has a strange attraction to her, which may not lead to good things..... Paul Verhoven has openly admitted that this film is a homage to Alfred Hitchcock's classic masterpiece 'Vertigo'. In fact, Stone wears, in sequence, the same wardrobe as Kim Novak did [which makes you wonder, was she wearing panties under her clothes]. That brings us to the interrogation scene, which is the best in the movie. Stone shamelessly flirts with the cops' libidos until the buildup of sexual tension is so great, Stone releases it by playing 'peek-a-boo' with the space in between her legs. Every male viewer cherishes that scene, simply because it is so sexy. That word can be used throughout the film, as Stone and Douglas do the mattress mumbo. At the time, the sex scenes were so realistic that the press went wild and debated whether or not viewers were witnessing un-simulated sex. The film is still quite sexually daring today and has an intriguing spider's web plot too. The plot's twists and turns manage to make the movie sexier as the viewer wonders whether Sharon is innocent or guilty.......... The film's only misstep occurs at the end, with an unsatisfactory ending that makes the whole film seem like some stupid, contrived game. But it's not. It keeps it's fascination and it's sexiness and its suspense right up till the end, which is what a good erotic thriller should. Actually, the ending for some will lead to a lot of discussion if you watch the film with someone, as the film toys with two of the film's characters innocence or guilt and does not give up all its secrets..... The film is great Verhoeven. It has his usual, hilarious, seemingly inappropriate kinky humor and extreme sex and violence to match. The fact that Verhoeven is actually able to balance the film and make it funny and sexy is wonderful film-making. Well, have I said 'sexy' enough times? Then go rent it.........8/10 P.S. If you like this one, check out Verhoevens' Dutch film ''The Fourth Man''. It has a similar plot and even a similar character that resembles Catherine Tramell. If the ending of 'Basic Instinct' leaves you wanting, check that film out. It is even better than 'Basic' and is more 'arty'. It is also a little bit more daring erotically.

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